
Graham Beck
Graham Beck is the Co-founder and CEO of DropDesk, a platform dedicated to a singular, transformative mission: unlocking the potential of underutilized spaces to foster human connection.

Graham Beck is the Co-founder and CEO of DropDesk, a platform dedicated to a singular, transformative mission: unlocking the potential of underutilized spaces to foster human connection.
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We've all been there. Whether you are writing a catchy press release or pitching the media, we've stared at our subject line, our fingertips have hovered over the keyboard, and we've thought long and hard about exactly what we should write in that limited space. You're not alone if you're nodding your head and thinking "How did they know?" It's because we've felt the same stress. The same pressure. And it's not fun.
A media pitch is a short, tailored email sent to a journalist, editor, or producer (at a newspaper, TV station, podcast, magazine, or blog) to convince them to cover your story for their audience. Instead of being a full press release, it's a tight snapshot of your angle, why it matters now, and why you're the right source.
A strong pitch:
If you're new to PR, it helps to understand how a full release works too—see your existing guide to how to write a press release for the longer format.
Before you write a single word, get these pieces in place:
Your story should be timely (tied to a launch, report, trend, or event), relevant to the outlet's audience, and clearly answer "Why now?"
Build a list of journalists who actually cover your topic (their beat), not just "anyone at this outlet." Avoid mass BCC blasts; send individual, tailored pitches.
For bigger announcements (product launches, funding, events), having a clear press release helps journalists quickly get all the details. Your existing release template with headline, intro (who, what, where, why, how), body, and company info works perfectly here.
Data, case studies, quotes, visuals, and links that make your story easy to build into a piece.
Decide whether you want: a feature story, expert quote, inclusion in a roundup, or coverage of a specific announcement. Your goal shapes your angle and CTA.
Think of a pitch as a lean, email‑sized press release.
A simple structure that works:
Aim for 75–150 words for most pitches. For bigger, more complex stories, you might go up to ~200 words, but shorter usually wins.
Your subject line is the first—and sometimes only—chance to earn a click. Think of it as your pitch in 8–10 words.
Good subject lines:
We break down 10 proven subject line formulas in detail in the section "Best Media Pitch Subject Lines (10 Proven Formulas)" below so you can plug in your own topic and go.
Journalists delete generic pitches in seconds. Personalization is no longer "nice to have"—it's basic hygiene.
Do:
Avoid:
Even one genuine sentence of context can dramatically improve your response rate.
Your opening line should deliver the hook—not small talk.
Stronger examples:
Each of these:
Skip long warm‑ups like "Hope you're well" and multi‑sentence company intros—those belong later, if at all.
Once you've hooked them, your job is to prove there's a real story here.
Use short bullets or tight lines to cover:
You can lean on the same 5W/1H structure you use in your press releases: who, what, where, when, why, and how—just compressed for email.
Most journalists prefer links instead of heavy attachments, especially from senders they don't know yet.
Best practices:
This aligns with your press release guidance that many journalists avoid attachments altogether.
End your pitch with a single, clear next step so the journalist doesn't have to think about what to ask for.
For example:
Avoid vague endings like "Let me know what you think" without specifying what you can do for them.
Typos, sloppy formatting, and overly promotional language are fast ways to lose credibility.
Quick quality checklist:
This is similar to the checklist you use for press releases: natural tone, concise but detailed, professional look, and solid copy.
Most pitches won't get an immediate response—even great ones. Follow‑up is where a lot of wins happen.
Follow‑up rules:
Example:
"Just bumping this in case it slipped through—happy to share full numbers on [specific insight] if you're covering [topic] this month."
If they don't respond after that, move on and nurture the relationship later with something more targeted.
Subject lines are where art meets science. There's no one perfect formula, but research on email open rates and journalist behavior points to patterns that consistently work: utility, curiosity, brevity, and relevance.
Below are 10 practical formulas—adapt them to your story, outlet, and tone.
Daniel Pink notes that subject lines that appeal to utility (what's in it for me?) or curiosity (I need to know more) perform best.
Formula:
Example:
Use when you have a clear insight or result that's valuable on its own.
A Mailchimp study of millions of emails found that simple, straightforward subject lines often outperform "clever" ones.
Formula:
Example:
Use when you have a clean, unambiguous announcement—especially for business and finance reporters.
Experiments show that mild profanity in subject lines can increase opens by standing out in crowded inboxes. That said, use this with extreme caution and only if it fits your brand and the journalist's tone.
Better:
Avoid heavy profanity, especially on first contact or with very traditional outlets.
Including a name or location can make a subject line feel directly relevant.
Formula:
Example:
Use when geography is part of your story or the journalist clearly covers a specific region.
Curiosity, surprise, and implied tension trigger quick, instinctive reactions—what some marketers call the "lizard brain."
Formula:
Example (toned down for journalists):
You don't need full clickbait ("you won't believe…"), but a hint of unresolved tension works very well.
Subject lines that tell people not to open can paradoxically drive more opens—if used sparingly and backed by real value.
Example:
Use this only with warm contacts or outlets that are comfortable with playful copy, and make sure the content is worth the tease.
Most inboxes only show about 60 characters of your subject line (less on mobile), and 6–8 words is a good rule of thumb.
Better:
Short, concrete, and scannable beats long, clever, and vague.
Words like "EXCLUSIVE" and "EMBARGOED" signal time‑sensitive or special access content, which can boost opens if used honestly.
Examples:
Only use embargoes and exclusives when you truly intend to honor them and have something meaningful to offer.
If you've worked with a journalist before, replying to an older thread can increase open rates because it appears as a continuing conversation.
Tactics:
Use ethically—don't fake replies or hide that this is a new story.
Campaign tests (including Barack Obama's email campaigns) found that simple, informal subject lines like "Hey" performed surprisingly well.
Examples:
This works best when:
Use this as a base and adjust per outlet:
Subject: [Specific, timely angle or result – not just your company name]
Hi [First name],
I saw your recent piece on [specific topic] and thought this angle on [related issue] could be helpful for your readers.
We've just [released/found/seen] that [1–2 sentence summary of your story: what's happening, why it matters now, and who it affects].
A few quick highlights:
If you're working on anything around [topic/beat], I'd be happy to [set up an interview / share the full dataset / provide exclusive commentary].
Best,
[Name]
[Title, Company]
[Phone] | [Email] | [Website/LinkedIn]